Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero's workcommentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history.
Accompanying the artist's first American retrospective in over thirty years, " The Baroque World of Fernando Botero" is the most extensive study of his life and work to date.Drawn exclusively from Botero's private collection, the100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of theseportraits of friends and family members and remembered sceneshave remained in the artist's possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist's creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.
About the Author
David Elliott worked with the United Kingdom Atomic Energy Authority before moving to the Open University, UK where he is Professor of Technology Policy and has developed courses on technological innovation, focusing in particular on renewable energy technology. He has published widely on renewable energy policy, including "Energy, Society and Environment" (2003). He is Co-Director of the OU Energy and Environment Research Unit.
Edward J. Sullivan is Dean for the Humanities and professor of fine arts at New York University. He is the author of several books on Latin American art, including "The Language of Objects in the Art of the Americas" (Yale).