The enigmatic and charismatic John Graham (1886-1961) was an important influence on his fellow New York artists in the 1920s through 1940s. Graham and his circle, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, helped redefine ideas of what painting and sculpture could be. They, along with others in Graham's orbit, such as Jackson Pollock and David Smith, played a critical role in developing and defining American modernism. "American Vanguards" showcases about eighty-seven works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle.
Three essays by notable scholars investigate the complex relationships among Graham and his New York artist-colleagues during this formative period. William C. Agee positions Graham and his circle within the movement of New Classicism, which drew upon classical and Renaissance examples in an attempt to overcome the devastation of World War I. Irving Sandler focuses on the social, political, and intellectual dynamics among Davis, Gorky, Graham, and de Kooning in the mid-1930s. Karen Wilkin discusses the circumstances that brought these artists together, their common commitment to modernism, and the fascinating artistic cross-fertilization evident in their work. This critical reconsideration sheds new light on the New York School, Abstract Expressionism, and the vitality of American modernism between the two world wars.
About the Author
William C. Agee is Evelyn Kranes Kossak Professor of Art History at Hunter College, City University of New York. Susan C. Faxon is Associate Director and Curator of Art Before 1950 at the Addison Gallery of American Art.
Karen Wilkin is a New York based critic and curator, specializing in 20th century modernism. She has organized exhibitions and written books on Helen Frankenthaler, Kenneth Noland, David Smith, and Anthony Caro among others. Ms. Wilkin writes regularly for "The New Criterion, Art in ""America,"" ""Hudson"" Review" and "the Wall Street Journal."
John Yau has published more than thirty books of poetry, fiction and criticism, and has contributed essays to monographs on Richard Pousette-Dart, Helmut Federle, Morris Graves, Brice Marden, Pat Steir, and Hiroshi Sugimoto. He teaches at Mason Gross School of the Arts (Rutgers University). Both a Chevalier in the Order of Arts and Letters and a Guggenheim Fellow in Poetry (2006-7), he is currently working on a book on Jasper Johns.